Antonio Vasquez’s “Senei Vol 1” is an experimental electronic album, a collection of tracks without words that needed artwork to mirror their ever-expanding nature. The task was clear: to create a series of album covers that echoed the profound narrative of Vasquez’s music.
Pies Descalzos
At a glance, you’re met with a woman’s shape, outlined not by sharp lines but by the undulating forms of red space dust and stellar remnants. It’s a portrayal of femininity as a force of nature—beautiful, powerful, and enigmatic. She stands as an embodiment of the song itself, a silhouette sculpted from the raw materials of the universe. The hues are more than just a palette; they’re a feeling, a resonance with the fiery passion and intricate textures of Vasquez’s music.
Release Artwork
As if gazing through the lens of the Hubble, “Centro” presents itself as a cosmic marvel, a vibrant fusion of galaxies and auroras, its swirling blues and greens painting the tranquility of the cosmos. This piece captures the song’s essence, a nucleus of sound and emotion, with nebulae and starlight spiraling towards the core, drawing the eye inward to the heart of creation, the center of everything.
Release Artwork
In the culminating artwork for “Senei Vol 1,” the album cover itself becomes a cosmic event horizon, where the auditory and visual elements of Antonio Vasquez’s “Pies Descalzos” and “Centro” are inexorably drawn into a singular vision.
“Senei Vol 1” is thus represented as an epicenter of sound and color, a gravitational pull that is irresistible in its allure. The colors of the swirling vortex are a kaleidoscope of the previous artworks, embodying the fusion of red cosmic dust and the serene blues and greens of distant galaxies, now intensified and spinning towards infinity.