The first concept took root in a space reclaimed by nature, where a statue of a woman resided in a an ethereal indoor space.
Here was “Mrs Stone”, her essence captured in stone and greenery.
The monoliths descended from the sky, their glowing, chromatic concrete structures reflecting the light like chrome beacons in the afternoon sun. They were a symbol of the unknown, a manifestation of the mysteries of the universe. As they made their descent, they stirred something within the villagers of Deosai. A sense of wonder, a desire to know more.
For each person who touched a monolith, the experience was unique. Some received visions of all that could have been but never was, glimpses of alternate realities and parallel worlds. Others received visions of all that could potentially happen but never would, possible futures and potential outcomes. The visions were fleeting, but they left a lasting impression on the villagers, inviting contemplation and reflection.
The villagers were faced with a dilemma: to use the monoliths to shape the world in their own image, or to let the world unfold as it was meant to be.
What would they choose, and how would their choices shape the world?